Discussing Small Kitchens with friends, new as well as old –– from across Queens, NYC, the USA as well as across the Atlantic and the Río Bravo –– was very cool. (The above photo, e.g., was sent to me by Marcos and María Elena Aguila who watched in Cuernavaca, México.) Here's most of the postscreening conversation, moderated by Jeran Halfap of the Queens Historical Society.
Viewing a film in person with other spectators on the kind of (large) screen the filmmaker intended to show their work is irreplaceable; yet, the expansion of streamed viewings and (more importantly postscreening Q&A's) necessitated by (and perfected during) Covid times, demands that this digital dimension continues postcovid as a supplement (not substitute) for onsite events, because it virtually enlarges interaction across space in real time. We need to think about how to do this, better and better, going forward.
I'm excited to screen Small Kitchens –– my new doc that contemplates work and food between a Nepali restaurant and a Mexican food cart, a few blocks away from each other under the 7 train, on the Jackson Heights-Elmhurst border along Roosevelt Avenue, in Queens –– at the Queens Historical Society in January. Completed just before this most global part of New York City became the epicenter of the the global pandemic, Small Kitchens' examination of labor and culture is now also a time-capsule of life just before Covid-19 changed everything here, and everywhere. You can register to attend the even online at the QHS link, above. There will be a Q&A after the screening, to which I look forward.
It's become a Summer ritual, visiting Josh Glick's Global Documentary Media course at Columbia. This year it was via zoom. But I've never learned more about my own work than I did from these superb students' discussion of Between Neighborhoods and Small Kitchens. Current events, between Covid-19 and the protests George Floyd's killing generated, enhanced our conversation about documentary art, Queens, and the world, from across which these students beamed in. It was all very cool and very rewarding. (And thanks for the picture.)
My documentary about the interborough and international histories that orbit Robert Moses's Unisphere in Queens, can now be streamed via video on demand for either individual or institutional (e.g., classroom) rental. It seemed like a good time to do this, while cooped up during this Corona Crisis, which provokes thinking about immigration in Queens and the limits of modernization as Covid-19 ravages and Trump threatens the globally diverse neighborhoods around Unisphere and around Seven Local Film.
At work on a new doc that chronicles the passion of Sebastián Ospina, as the Colombia-born actor promotes and performs in NYC the one-man play he wrote about Simón Bolîvar, the Great Liberator of South America's north. The Actor in His Labyrinth expresses how Ospina's life journey –– which has traveled from Cali to NYC, from Colombian TV star to itinerant theater actor –– viscerally manifests itself in his identification with Bolívar's peripatetic life, intense loves, and inspirational aura. Stay tuned for teasers.
We had a great rough-cut screening and conversation about Small Kitchens at Terraza 7 on December 14th; the film's first phase was supported, in part, by a New Work Grant from the Queens Council on the Arts, funded by NYC's Dept. of Cultural Affairs.
Good Night and Good Luck, Director George Clooney (USA, 2005) 93 min. Followed by a talk back with Seth Fein
Description: Democracy in America Film Series Humanities and Films at the Whitney, supported by the Barbakow Fund for Innovative Film Programs at Yale)
Terrific time talking doc with students in Josh Glick's Global Documentary Media seminar at Columbia, 10 June 2019.
Very excited to welcome Bill Morrison to speak to my Film History course this Semester after we screen his amazing Dawson City: Frozen Time. It's open to all.